Thursday, October 31, 2019

The Prostitution Problem (responses) Assignment Example | Topics and Well Written Essays - 250 words

The Prostitution Problem (responses) - Assignment Example I therefore concur with the response that a double standard exist over the prostitution problem and that the society has forced women into prostitution by establishing them as weaker people who are vulnerable to men’s manipulations. The response is comprehensive and its inference to the contemporary environment is valid because literature shows that despite numerous sources of power that women can use, especially in domestic set ups against male dominion, women still find themselves vulnerable. Men retain financial responsibility in families and their higher economic potential creates power over their married partners and other women who may be desperate for financial support. Factors such as religious and cultural values also undermine possible sources of power that women could use counter male influence. Consequently, women remain tools for manipulation by men and their best alternative is to take capitalistic advantage of men’s sexual needs. This establishes the basis of prostitution even in the contemporary despite better economic environment for women (Ghanim

Tuesday, October 29, 2019

Research paper over a specific theme portrayed in the sotry Essay

Research paper over a specific theme portrayed in the sotry - Essay Example The involvement in the scenes becomes more and more thorough, and the collective partakers become a social group where in the person experiences identity problems. At first, the unison of the collective is embodied through the expression ‘we all’; afterwards this unison assumes a virtually individual character (Holland 2001). The collective retreats and the centralized responses are disrupted merely when it is stated about Emily that â€Å"she carried her head high† (Holland 2001, 29). The expression...... At the onset the group of partakers of the narrator appears to be distinguished by the collective ‘first person (I)’ because it emerges beside ‘older people’, ‘the ladies’, and ‘people’ (Staton 1987, 88). Afterwards the sentiments and ideas of the ‘we’ circle quite totally mix with those of another group that the notion of a bigger group surfaces, a united group which involves majority of the town folks. At a different scene the entirety of the town, initially called as ‘our’ is evidently denoted as ‘we’. The individually feeble ‘our town,’ which gives the storyteller some extent of detachment from the group, opens up the ‘our’ which permits the storyteller to unite completely with the group (Kirszner & Mandell 1994): â€Å"The day after his death all the ladies prepared to call at the house and offer condolence and aid, as is our custom† (Kirszner & & Mandell 1 994, 78). The involvement in the scenes becomes more and more thorough, and the collective partakers become a social group where in the person experiences identity problems. At first, the unison of the collective is embodied through the expression ‘we all’; afterwards this unison assumes a virtually individual character (Holland 2001). The collective retreats and the centralized responses are disrupted merely when it is stated about Emily that â€Å"she carried her head high† (Holland 2001, 29). The expression ‘some ladies’ function separately, so as to provide supplementary thrust to the event. From then on the communal ‘first person’ once more emerges; the common purpose is hence enhanced and acquires more focus. Soon after the town government, which

Sunday, October 27, 2019

Comparing Different Versions Of Batman Film Studies Essay

Comparing Different Versions Of Batman Film Studies Essay My aim for this essay is to analyse and compare different versions of the Batman film. Ive decided to compare the 1966 Batman to the 1989 Batman and The Dark Knight, which was released in 2008. I wish to look at how these films have been made, how Batmans reputation has changed over the years and how they compare to the original comic books. Batman made his first appearance in Detective Comics in 1939; he was the caped crusader who went against the criminals of the underworld who killed his parents. In the early comics, the drawings showed a grim tone and nourish use of bold blocks of black ink (Sabin, 1996, p.61). However, later on the comics were progressively lightened in order to draw a younger relationship; a trend which culminated in the 1960s where the comics became camp comedies to reflect the amazingly successful television series (Sabin, 1996, pp. 61-62). Wikipedia (2008) Man Who Laughs [Online] Available at: http://en.wikipedia.org/wiki/File:Manwholaughs.jpg (Accessed: 3rd December 2010) BD Comics (1999) Batman- No Mans Land [Online] Available at: http://bdcomics.bdgamers.net/2007/06/13/batman-no-mans-land/ (Accessed: 3rd December 2010) The 1966 Batman was a film adaptation of the 60s TV series; it had budget of $1,377,800. In the film, there are no shots of skyscrapers or any buildings that resemble the scenery in the comic books. The costumes in this film are basic; the villains are all dressed in suits and Batman and Robins costumes look cheaply made, compared to the most recent film; this shows the difference in budget. The make-up is very basic; the Joker has a ghostly white face and red drawn on smile; no prosthetics are used on him. The Penguin has a prosthetic nose to make it freakishly long and pointy, however the rest of the characters have normal day to day make-up on. The fight scenes in the film are unrealistic, fake punches are thrown between characters, with words such as URKK and OUCH entering the shot is big letters: The TV show was definitely dopey, comedy and slapstick substituting for anything remotely violent or suspenseful. It even offered the surreal bonk/zap title cards to amplify the fun. (Gibron, 2008) This makes the fighting look comical and amusing. However it does match the comic book style of fighting and was what was acceptable to be shown in the film and TV series at the time. Still from TV 1960s series Batman (1966) Batman Generation : Batman 1960s TV Series [Online] Available at: http://movie-collections-on-dvd.blogspot.com/ (Accessed: 10th November 2010) The sidekick Robin appears in this film. I think his presence makes Batman look less macho, it implies that he needs back up, this may have been the reason he wasnt written into the series of films that followed decades later. In comparison to films today; it is very naive, in one scene a very toy looking shark is used as a prop and in the Bat cave every machine or piece of equipment is labelled. Heath, R (2008) The Dark Knight 2010 [Online] Available at: http://www.ferdyonfilms.com/?m=200807 (Accessed: 3rd December 2010) Clara, H (2010) Entertainment [Online] Available at: http://www.mylifetime.com/lifestyle/entertainment/lewis-wilson-michael-keaton-and-val-kilmer-batman (Accessed: 3rd December 2010) In 1989 Batman was released, it was the first of a series of feature films starring Batman which were produced by the Warner Bros; it had a budget of $35,000,000. This film strayed away from the 1966 camp version, Beyond Hollywood emphasises this point by saying: Before 1989, unless you were an avid comic book reader, you probably viewed Batman as a clownish superhero, trading punches and quips with bad guys with his youthful assistant Robin faithfully at his side. He was campy, a bit dull, and never dangerous. That is, until the summer of 1989, when Tim Burton arrived to changed all that. (Beyond Hollywood, 2004) Gotham City is dark and gothic looking; the buildings are dingy and old. The shapes of the buildings resemble the comic book images; they dont look like any usual American city. Lots of smoke is used in the setting, it reminds me of backdrops in a theatre production. The joker also matches very well with the comic book illustrations; the make-up cleverly allows the actor to have a fixed smile. He puts on a show and prides himself on being theatrical, using joke shop type gags, i.e. a flower that squirts poisonous gas and a buzzer which he attaches to his hand to electrocute his victim. The music, which is often played as a backing to the joker, is almost the same as you might hear in the circus, everything about it is comical. Neumaier, J. (2008) Jack Nicholson warned Health Ledger on Joker role[Online].Available at: http://www.nydailynews.com/news/2008/01/24/2008-01-24_jack_nicholson_warned_heath_ledger_on_jo.html (Accessed: 31 October 2010) Newsrecord. (2008)Heath Ledger Was Changed by playing The Joker'[Online]. Available at: http://www.inoutstar.com/news/Heath-Ledger-Was-Changed-by-Playing-The-Joker-6583.html#nimg_16437 (Accessed: 31 October 2010) The Dark Knight (2008) was directed by Christopher Nolan and had a budget of $185,000,000. When writing the film, screenwriter David S. Goyer took influences from a few comic books rather than just one. In an interview he said: I think that there are elements from The Dark Knight, elements from The Long Halloween, elements from The Killing Joke. But its not like we were specifically adapting one specific comic book or comic book arc. (Goyer, 2008) In this film the joker has apprentices who are masked like clowns. These masks are very eerie; they allow the characters to be emotionless and cold; only showing the single expression that is drawn on their mask. Batmans fight scenes are bold and highly choreographed; this is a big contrast to the jokers style of fighting, which is very rash. This film is dominated by the Joker character; his scarred face is messily covered with make-up giving him a clown-like persona. This persona is confirmed by his greasy, green tinged hair, black eyes, smudged roughly outwards and his red creepy smile. His drawn on smile is covering thick badly raised scars. The white make-up which covers his face is uneven and always looks worn. His costumes are odd, purple velvet suits with a green shirt; this allows him to stand out against others, who mainly wear classic suits. Costume Designer, Lindy Hemming, wanted to create a younger trendier look, in order to represent Ledgers generation(Hemming, 2008). This costume also matches the comic books. His character is fearless and chillingly calm; I think this creates a great atmosphere and carries the film. Sound has a huge impact on this version of the film; dramatic music is played in the background, ticking noises are also frequently used, symbolising the rapid passing of time. However there are a few shots in the film which have no backing music or noise for that matter; this is a big contrast to the rest of the film and cleverly creates a maximum impact. One particular shot is of the Joker hanging himself out of a stolen police car that he is driving, I find this scene very chilling. After watching a documentary about the composers thoughts behind some of the music, I learnt that the sounds are based on the Joker character: Shots and clips were used to produce music that matched the jokers movements and personality. Punk influences were used and tones and noises were produced using two clashing notes of the cello, to give the feel of razorblades. (Zimmer, 2008) The sounds are unsettling and the composer wanted to create a sound which demonstrated rising tension. Uhlich, K (2008) Trickster Heaven, Two Face Hell: The Dark Knight [Online] Available at: http://www.slantmagazine.com/house/2008/07/trickster-heaven-two-faced-hell-the-dark-knight/ (Accessed: 3rd December 2010) Another hugely important character is Harvey Dent. He is Gothams golden boy who, by the end of the film, thanks to the Jokers words; I took Gothams white knight and brought him down, has been turned into a villain, Two Face. The effects for Two Face were created using digital make-up, in other words high use of CGI. A lot of shots in the setting are of buildings, the camera pans high above lots of skyscrapers as a link between scenes. The villains seem to always be lit darkly, where the lighting has a blue tinge. In conclusion, as the decades pass, technology improves and the budget for the films increase, which I think is due to the increase in film popularity. Each film stays true to the comics in different ways; the 1966 Batman is most like the comics in the fight scenes where they are quite graphical, with sounds entering the screen in text. However the make-up and costume doesnt match up and doesnt give enough of an impact. The 1989 Batman does match very well to the comic book images, make-up and costume-wise. It also has a great set which matches the buildings of Gotham city and really gives a feel that they are living in the comics. The Dark Knights special effects are by far the best and in my opinion I think the acting is best in this film. The joker is a crucial character in all three versions, particularly 1989 Batman and The Dark Knight. It is a matter of personal opinion which version is the best, however I agree with Slant magazine in preferring Health Ledgers chilling version: Eighteen years after Jack Nicholsons over-praised, distinctly Jack-ish personification of the dastardly purple-clad jester in Tim Burtons Batman, Ledger returns the character to his demented The Killing Joke graphic novel roots, conjuring up a transfixing, indelible portrait of our worst terrorist-extremist nightmares. (Schager, 2008) The Dark Knights acting and gothic feel matches well with the original comics, before they were made more camp to match the 1960s audience. The make-up takes a different direction to avoid copying Tim Burtons film, this however meant they needed to steer away slightly from the comic books. Overall, in order to achieve the perfect film version of the batman comics, you would need to combine, 1989s make-up, costume and set with The Dark Knights music, special effects and acting.

Friday, October 25, 2019

What is property :: essays research papers

What Is Poverty? Jo Goodwin Parker 1. You ask me what is poverty? Listen to me. Here I am, dirty, smelly and with no "proper" underwear on and with the stench of my rotting teeth near you. I will tell you. Listen to me. Listen without pity. I cannot use your pity. Listen with understanding. Put yourself in my pity, worn out, ill-fitting shoes, and hear me. 2. Poverty is getting up every morning from a dirty- and illness-stained mattress. The sheets have long since been used for diapers. Poverty is living in a smell that never leaves. This is a smell of urine, sour milk, and spoiling food sometimes joined with the strong smell of long-cooked onions. Onions are cheap. If you have smelled this smell, you did not know how it came. It is the smell of the outdoor privy. It is the smell of young children who cannot walk the long dark way in the night. It is the smell of the mattresses where years of "accidents" have happened. It is the smell of the milk which has gone sour because the refrigerator long has not worked, and it costs money to get it fixed. It is the smell of rotting garbage. I could bury it, but where is the shovel? Shovels cost money. 3. Poverty is being tired. I have always been tired. They told me at the hospital when the last baby came that I had chronic anemia caused from poor diet, a bad case of worms, and that I needed a corrective operation. I listened politely -- the poor are always polite. The poor always listen. They don't say that there is no money for iron pills, or better food, or worm medicine. The idea of an operation is frightening and costs so much that, if I had dared, I would have laughed. Who takes care of my children? Recovery from an operation takes a long time. I have three children. When I left them with "Granny" the last time I had a job, I came home to find the baby covered with fly specks, and a diaper that had not been changed since I left. When the dried diaper came off, bits of my baby's flesh came with it. My other child was playing with a sharp bit of broken glass, and my oldest was playing alone at the edge of a lake. I made twenty-two dollars a week, and a good nursery s chool costs twenty dollars a week for three children.

Thursday, October 24, 2019

Made In Chelsea Analysis of an episode Essay

From the episode of Made In Chelsea I watched, I can say that the representations we have of upwardly mobile young city dwellers are that they are social-oriented, whose lives seem to be some care-free that they can cavort around various places in London—and the world—without any problems. We also only see characters of a certain age range—none are, we assume, above the age of thirty—of which the majority have no jobs or business, leading us to believe that they come from families of ‘old money’, and so having a job themselves would seem rather pointless. Saying that, there are a few characters who do possess their own business or thereabouts. However, our perceptions of the characters are very one sided, as we are constricted to seeing only one side of that character—the one that fits their current storyline the best. This prevents us from seeing, per se, the kind heartedness of a character that has just cheated on their partner. The words ‘characters’ and ‘storylines’ fit well with my next point; the conversations and the events that take place throughout the episode seem far too rehearsed and coincidental for them to be actual ‘reality’. Location shots are used of London sights and attractions to establish the setting of the scene. They also are only of Central London attractions, and the shops and restaurants et al all seem to highlight the wealth of the individuals who shop there, eat there etc. Reactions, for the majority of the show, are shown using over-the-shoulder shots to portray the reaction of the person who is being told something. There is also usage of eye line matching shots that show you what the character may have been looking at from their angle. The episode seems to comprise of short segments that have then been edited in post production so that they can seek out the most entertaining of segments. This is obvious as the episode transitions from one group of people at a restaurant to a boxing arena and then back to the restaurant again. Tzvetan Torodov’s narrative theory that conventional narratives are structured into five stages; Equilibrium—disruption—recognition—repair—reinstatement, could be present within the episode, as you can apply it to the situation between Louis, Spencer and Jamie (the love triangle storyline). The fact that it fits so well with Torodov’s theory does support the question â€Å"How much of Made In Chelsea is actually reality?†

Wednesday, October 23, 2019

A Case Study of Cvp Analysis Essay

In order to compete with other milkshake shacks on the same beach of the resort, the small shake in my shack is priced at $5.00, a medium shake costs $7.00, and a large shake is priced at $10.00. My shack offers classic flavors of chocolate, strawberry and vanilla, but also caters to eclectic tastes with raspberry, mocha, Oreo shakes and many other different flavors. I use chocolate, strawberry and other flavored syrup to provide the flavor chosen by customers. The data for milkshake costs is base on the study of existing restaurants, industry reports and research on expected minimum costs to be incurred in operating the business. The cost of materials needed to make milkshakes is shown in table 1. Table 1 Variable and Fixed costs to make milkshakes Small (8oz.size)Medium (10oz.size)Large (12oz.size) Variable costs Whole milk ($15 for a 5 gallon=740oz.)2oz.2.5oz.3oz. Cream ($20 for 1 gallon = 128oz.)2oz.2.5oz.3oz. Sugar ($10 for a 15 lb.bag=30cups)1/4cups 1/2cups3/4cups Flavored syrup ($13.5 for a 96oz. bottle )0.5oz.1oz.1.5oz. Vanilla ice cream ($24 for 600oz.)6oz.8oz.10oz. Whipped cream ($2.50 for 6.5oz. can)0.15oz.0.2oz.0.25oz. Straws 5† Color Flex Straws 0.05/piece6† Color Flex Straws 0.06/piece8† Color Flex Straws 0.08/piece Cups 8oz. cups 0.4/piece10oz. cups 0.5/piece12oz.cups 0.6/piece Fixed costs Shack rental $500/mo Business insurance $600/yr Business license $25/mo Milkshake blenders $700 for 10 blenders Refrigerator/freezer $500 Shack decoration (tables, counters, chairs, umbrella) $2400 Cleaning and equipment maintenance fee $150/mo Advertising (sign, banner, flyers) $ 125/mo The total fixed costs shown in table 1 are $5075, which is the amount the owner is going to apply for a small business loan. This business loan assumes (i) a constant interest rate of 6% throughout the amortization period (2 years) and (ii) that interest payments will be made monthly for both payment types (Principal Plus Interest or Blended). For a $5075 loan amount, the monthly payment will be $224.93. The amortization table is shown in table 2 if the loan start date is Mar 2013: Table 2: Amortization Table Loan MonthYearPaymentInterestBalanceMonthYearPaymentInterestBalance Apr2013199.5525.384875.45Apr2014211.8613.072401.51 May2013200.5524.384674.90May2014212.9212.012188.59 Jun2013201.5623.374473.34Jun2014213.9910.941974.60 Jul2013202.5622.374270.78Jul2014215.069.871759.54 Aug2013203.5821.354067.20Aug2014216.138.801543.41 Sep2013204.5920.343862.61Sep2014217.217.721326.20 Oct2013205.6219.313656.99Oct2014218.36.631107.90 Nov2013206.6518.283450.34Nov2014219.395.54888.51 Dec2013207.6817.253242.66Dec2014220.494.44668.02 Jan2014208.7216.213033.94Jan2015221.593.34446.43 Feb2014209.7615.172824.18Feb2015222.72.23223.73 Mar2014210.8114.122613.37Mar2015223.731.120.00 Besides the variable and fixed costs, and the loan payment mentioned above, I also assumed two part-time employees will be hired for my shack. Each of them will receive $10/hr and work 20 hours per week. The total labor costs will be $1600 which include taxes and benefits. The other cost for the business will be the 10% gross sales that will be given to resort where shack located. 2. Analysis assumptions In order to finish the Cost-Volume-Profit analysis, several assumptions need to be made: 1)The sales prices for milkshakes in my shack are constant and competitive among other vendors. The costs of materials are assumed to be the minimum costs to be incurred in operating this business. 2)The depreciation periods for shack decoration (tables, chairs, counters, and umbrellas) are 3 years, and the depreciation periods for equipments (blenders, refrigerator and freezer) will be 5 years. 3)The business loan is a 2 years amortization loan; the monthly payment includes both principal and interest. 4)The mix of milkshakes sold will be: 30% small size, 40% medium size, and 30% large size. 3. Cost-Volume-Profit analysis 1) Break-Even Analysis The break-even point is the level of sales at which the company’s profit is zero. The formula for the unit sales to attain break-even point is: Unit sales to break even= Fixed expenses/Unit CM Based on the information of relative costs provided in part 1, we can derive the monthly fixed costs in table 3, and unit variable costs in table 4. Table 3 Fixed monthly expenses Expenses Amount Notes Shack rental$500— Business insurance $50$600/12=$50 Business license$25— Equipment depreciation (blenders, refrigerator and freezer)$20$1200/60=$20 Shack decoration depreciation (tables, chairs, counters, and umbrellas)$67$2400/36=$67 Cleaning and maintenance fee$150— Advertising (banner, sign, flyers)$125— Loan payment$224.93Table 2 Part time employees salary$1600— Total$2761.93 Table 4 Unit Variable Costs Expenses Unit priceSmall MediumLarge Whole milk$0.02/oz$0.04$0.05$0.06 Cream $0.16/oz$0.32$0.40$0.48 Sugar $0.33/cup$0.08$0.17$0.25 Flavored syrup$0.14/oz$0.07$0.14$0.21 Vanilla ice cream$0.04/oz$0.24$0.32$0.40 Whipped cream$0.38/oz$0.06$0.08$0.10 Straws —$0.05$0.06$0.08 Cups—$0.40$0.50$0.60 Total —$1.26$1.72$2.18 Knowing the monthly fixed costs and unit variable costs, we are able to calculate the Unit CM. Small (30%)Medium (40%)Large (30%) Sales price (a)†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦$5*0.9=$4.5$7*0.9=$6.3$10*0.9=$9 Variable expenses per unit (b)†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦$1.26$1.72$2.18 Unit CM (a-b)*percentage†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦0.9721.8312.046 The weighted Unit CM for milkshakes will be 4.85 (0.972+1.831+2.046). Using the formula for the unit sales to attain break-even point, my shack will need 570 cups of milkshakes to break-even ($2761.93/4.85). Among all of the sales, 171 cups are small size, 228 cups are medium size, and 171 cups are large. If I give myself a $3000 paycheck every month, it will increase the monthly fixed income to 5761.93 dollars. Hence, I will need to sell 1188 (5761.93/4.85)cups of milkshakes to break-even. Among all of the sales, 356 cups are small size, 476 cups are medium size, and 356 cups are large. 2) The Break-Even Chart The relationships among revenue, cost, profit and volume are illustrated on a cost-volume-profit graph. A CVP graph highlights CVP relationships over wide ranges of activity. If 570 cups of milkshakes are sold, the total sales after subtracting the 10% for resort will be $3744.90 (171*5*0.9+228*7*0.9+171*10*0.9). Total variable costs will be $980.40 (1.26*171+1.72*228+2.18*171). Total fixed costs will be 2761.93, hence the profit is round up to be 0. If 1188 cups of milkshakes are sold, the total sales after subtracting the 10% for resort will be $7804.80 (356*5*0.9+476*7*0.9+356*10*0.9). Total variable costs will be $2043.36 (1.26*356+1.72*476+2.18*356). Total fixed costs will be 5761.93, hence the profit is also rounded up to be 0. From the sales and costs data above, the break-even chart with and without owner’s salary is given in chart 1. Chart 1 The break even chart From chart 1, we can see that the total sales revenue and total expense lines in both graphs are with same slopes no matter owner’s salary is included or not. The only difference in two graphs is the fixed expense line shifts up by $3000 when the owner salary is included. It also makes the intercept of total sales revenue and total expense line in the second graph shifts up by $3000. The slopes keep the same. 4. Conclusion From the CVP analysis above, I need to sell 570 cups of milkshakes in order to break-even. If I quit the job and pay myself $3000 per month to run the shack, 1188 cups of milkshakes need to be sold just to break-even. There are several factors that will affect my decision about quitting my job to open the shack. One of the greatest aspects of working for someone else is security. Running a shack might bring me more income during the tourist season, but I also need to take the risk that I will lose money when it is out of season. Working for my own business also means I need to give up some other benefits like a pension or company provided insurance. These are all the opportunity cost for leaving my job. By being a business owner, I would have to earn equal amount to make sure that money that has been lost is recovered in almost similar time frame. In order to do so, I will choose keep my current job and work part-time in the shack. Firstly, it will always make sure I have enough mone y to pay back the loan for the shack and keep business smooth even in the off season. Secondly, I can still guarantee the retirement plan for the long time, which is more financially smart. Last but not the least, by working part time in the shack, I don’t need to build in the whole pay check into fixed cost. Hence, the break-even point will be easier to reach. At the same time, as another part-time employee, I can help cut some labor cost or generate more sales revenue, in which way makes more profit for my business.